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Anchor 5

The cabin

STUDER 903 & 904

Configuration of the large console completely recapped from 2500 Nichicon condensers in 2019: 24 simultaneous analog inputs. Each channel rack has a microphone input, a line input, frequency adjustable high and low pass filters and a parametric 4-band EQ. Great dynamics of the preamp, divine musicality of the EQ section, add 7 hardware compressors integrated into the console, you have everything you need at hand to work!.

 


Believe it or not, Studer was the largest console manufacturer in the world in the 1980s, although most of their desks went into the broadcast market. Despite having no in-line monitors, they are easily recycled for modern recording. Good quality components were used and most are still available. The EQ and facilities are flexible, comprehensive and musical. These desks have a reputation of affordable classics as the best known vintage desk rocket in value.

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Digital Recording - Analog / Digital Converter

  • Apple MAC PRO 2.8GHz, 64-bit, Quad Core Nehalem, 32GB ram,

  • 1TB  SSD System hard drive + 1TB internal HD, OS X 10.8, Sierra,

  • Sony 82cm TV Monitor,

  • Softs: Pro Tools 12, Waves Effects Packs, Digital Convolution Reverb,

  • Antelope ORION 32+ converter: AD/DA: 24 bits / 192 kHz with dynamic range up to 129 dB-Antelope 64-Bit 4th generation clock technology - USB3 connection - Configured in 24 simultaneous input channels.

  • Studio B - MOTU HD192 High Definition 192 KHz (x2) converters , PCIe card.

 

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Microphones

  • AKG C414 B-ULS (vintage 1975),

  • AKG C451 (vintage 1975),

  • AKG D112,

  • AKG D1200 (vintage 70's),

  • AUDIX D6 (x2),

  • BEYER M88N (1982),

  • BUMBLEBEE - RM5 - Ribbon Microphone,

  • DACHMAN Audio 87i (U87 clone)

  • LEM DO21B Radio France, vintage 70s (x2),

  • NEUMANN U87 (vintage 1976),

  • NEUMANN KM84 (vintage 70's),

  • NEUMANN K184 (modern),

  • RODE NT1000,

  • ROSWELL pro audio - mini K47,

  • SENNHEISER MD441N (1980),

  • SENNHEISER MD409 (vintage 1970),

  • SENNHEISER MD421 vintage 70's (x2),

  • SENNHEISER MD421-II (x3),

  • SHURE SM7,

  • SHURE Beta 52A,

  • SHURE SM57 (x3),

  • SHURE SM58,

  • SHURE 565D vintage 1975 (x2),

  • SHURE UnisphereB mod 588SB (vintage 70's),

  • SUPERLUX S241 (x2),

  • WEISSKLANG V17, clone U87 (x2).

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D.I. boxes

  • DI box  - Radial JDI

  • DI BOX - Radial reamp

  • DI Box - SCV audio

  • DI Box - Peavey ID-1G

  • DI BOX single omnitronic

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Amplification: Crown

Power amp CROWN PS400 (2x180W RMS), Signal / Noise Ratio greater than 110 db! Often used in mastering studios for its performance and lack of breath. It's one of the few power amps that doesn't have a fan... which is very pleasant in the control room.
 

Equalization: UREI

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Monitoring: JBL Studio Monitors 4435

There are different types for different uses. Some speakers are suitable for sound recording, others for mixing or mastering... Neutrals, colors, there is something for everyone. In a serious studio, it is a question of using the materials which have really proven themselves throughout the world to the detriment of the latest trick in fashion of the moment which has just been released. We trust JBL, GENELEC, PSI audio, Auratone, STUDER, Sonodyne, NEUMANN...

  • A world reference. This enormous model (113 Kg for each of the speakers...!) presents an extension of the bass and extreme bass in terms of output capacity and bandwidth. This is a false 2-way, the 38 cm located below the bell rises and cuts at 1kz but the second 38 cm only rises up to 100hz to support the first (which is also equipped with a membrane a little lighter), and double the performance. We thus go from 93db to 96db of output/1W/1m... On these original models the compression is in alnico.

 

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Neumann KH-310 (3-way)

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A world reference. This pair is more particularly intended for mixing. It is a question here of ensuring the most precise sound reproduction possible... it was therefore necessary to equip oneself with a recent model up to date which does not make any concessions to the sound, nor suffers from any discussion. . Perfection is not of this world?, we take care of it!

Genelec S30 (Three-way)

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A world reference. Reference speakers for sound recording, they are not tiring thanks to their ribbon tweeters. This is happiness!.

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± 2 dB from 43 Hz to 20 kHz 105 dB SPL per pair in a normally damped 40 cu.m control room.

Three integrated power amplifiers Active filters and symmetric input Reliable.

SONODYNE SRP400

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  • This new pair of modern monitors replaces the old Auratones...which I keep preciously under the elbow...

  • A great reference for understanding how mixes translate to small speakers;

  • Silk dome tweeter nestled in a custom waveguide to produce on- and off-axis linearity and a wide, detailed soundstage;

  • 4.5" CURV cone woofer produces impressive bass and transient response;

  • 25+25 watt bi-amplification that optimally drives the transducers while providing ample headroom and dynamics;

  • Maximum SPL: 100 dB. Room compensated HF and LF tilts are available at the rear

  • Level control ranging from mute to +6dB with center detent at 0dB.

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Genelec1031APM

A world reference. The 1031A is a shielded bi-amplified loudspeaker equipped with an 21 cm and a tweeter mounted in a DCW waveguide. Characteristics: Bandwidth (-2 dB): 47 Hz - 20 kHz Effective acoustic pressure at 1 m: 110 dB SPL - Reference speakers for sound recording...

Auratones

  • A world reference. The music industry standard, these speakers have been in studios around the world for over 50 years...

STUDER / PSI Audio A523

  • The A523 is a bi-amplified active loudspeaker of great uprightness!. Effective sound pressure at 1 m: 103 dB SPL

JBL - LSR 308

  • Ideal for electro workstation and rap, they take modern bass with ease.

Drawmer MC 2.1 - Monitor Controller

  • To effectively control the mixing operation. Versatile and intuitive, the MC2.1 excels in its precision and its ability to faithfully reproduce what has been recorded. It is imperative that what you record is exactly what you hear - this is the philosophy that is at the heart of the design of the MC2.1 Monitor Controller. You combine the clarity, fidelity and transparency of the highest quality monitoring circuit with the complexity of a host of mix checking features.

Compressor / Limiter 1176

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  • The Klark Teknik 1176-KT is a professional compressor with a wide choice of compression ratios and fast, adjustable attack and release times. Inspired by the classic UREI model 1176LN which is the subject of a reverence that borders on idiophilia among connoisseurs. At last, this gear does the job.

7 x Simultaneously assignable STUDER compressors

Klark Teknik EQP-KT - 1 Channel 2 Band Equalizer

  • This lamp model is a clone of the famous PULTEC.

  • Class A, all discrete circuitry for greater signal integrity

  • Selected 12AX7 and 12AU7 tubes, top quality

  • MIDAS Custom Input and Output Transformers

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Klark Teknik 3rd Dimension BBD-320

This tube model is a clone of the famous Roland.

It is mainly used with fender rhodes pianos and gives them incredible spatialization!

  • The legendary analog spatial sound processor

  • Authentic reproduction of the original analog circuitry

  • Special effects

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Preamps, Hardware, Expanders, old stuff & goodies

  • RACKS guitar effects processor: MESA BOOGIE studio preamp (tube),

  • LAG spitfire TL1 (tube preamp),

  • ROCKTRON Prophesy, DIGITECH 2101 Artist,

  • ROLAND GP-8, ROLAND SIP-300,

  • AMPEG SVT - IIP (tube bass preamp)

  • Pedals: MXR distortion+ (vintage 80's), Line 6 POD2 (bean), Boss compression / sustainer, Boss ME-70, Boss ME-6, Korg AX1500G, Marshall drivemaster, Ujecks phaser (vintage 70's)

Lexicon PCM 80 DIGITAL

  • The effects are of absolutely sublime efficiency and depth! I haven't heard that with any plugin yet. The reverberations, although few in number, are magnificent, dense and enveloping. The other effects are just as beautiful! The hardware solution does not belong to the past...

Midi section and various oldies

  • MIDI Section: Midiman 8x8 USB MIDIsports Interface 

  • RACKS synths EMU systems proteus,

  • LinnDrums midified by Cooper,

  • AKAI S900, AKAI S1000,

  • Korg M3R,

  • Kurzweil K1000 - HX (Horns expander),

  • Kurzweil K2000 keyboard,

  • Miscellaneous effects RACKS: YAMAHA SPX90, Alesis 3630 compressor-limiter, Alesis midiverb III, Miscellaneous: Behringer - USB guitar interface, AKG WMS40 wireless guitar system, AKG K240 headphones (x6), 2x Headphone amplifiers with individual volume management + 1 racks of 4 outputs + 1 Headamp pro rack of 6 outputs with individual volume and tone control for the comfort of the musician and to obtain the Ah, that's it, I hear myself! effect... ;-) ,

Instruments & amps available

  • Piano ROLAND FP4 (electric piano heavy touch),

  • Old upright piano classic old tone (detuned)

  • Synth ROLAND XP-10

  • Gretsch Catalina Ash drum kit (cymbals not included),

  • pair of Latin timpani on a stand (Capelle), metal tambourine,

  • Yamaha 300W sound system + integrated mixer,  Wharfedale pro 15-inch satellites,

  • Custom telecaster guitar EMG pickups,

  • Fender f-35 guitar (6 string folk) ,

  • Generic brand 12 string folk guitar,

  • Di Giorgio Brazilian classical guitar from the 70s,

  • Roland Cube 80 amplifier with transistors,

  • Roland Cube 30 amp,

  • Line 6 amp - spider II - 112,

  • Acoustic Marshall Amp

  • There are also other additional equipment for rent: see" More"on the right of the menu bar.

studio plan

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